Tag Archives: frost

documentary review : Until The Light Takes Us (2009)

Rejoice black metalheads! Not many are interested in taking up the black metal scene as a subject on which a documentary/movie can be made, but Until The Light Takes Us is another valuable addition to the short list of black metal documentaries. Released in late-2009, the movie is based in Norway. It has musicians who lived through the early-nineties Norwegian period telling us exactly what happened then. I always repent the fact that I was not present at the right place at the right time. The movie has answered most of the prickly questions that I had accumulated in my mind concerning the scene. And the sources of my answers could not get more authentic.

The opening sequence has Gylve Fenriz (Darkthrone) preparing himself for a shot. And the best part of it is I can already feel the right vibes. The movie traces the entire journey from the roots of Norwegian black metal through the controversies that brought Norway to everyone’s attention back in the early nineties, the reason behind arson, and the truth behind the murder of Euronymous (Mayhem).

from the docu : fenriz

Why this documentary is different from the other documentaries out there? – the movement that we know today as the True Norwegian Black Metal includes a couple of events that we have always been reading about. If I have to summarize the events it would include the church burnings and hatred towards the protectors of cross, Euronymous (Mayhem) opening a records store called Helvete, Dead (Mayhem) committing suicide, the killing of a homosexual man by Faust (Emperor), and Varg murdering Euronymous. Until The Light Takes Us makes the protagonists recall the events. The featured artists are Varg Vikernes (Burzum), Fenriz (Darkthrone), Hellhammer (Mayhem), Abbath (Immortal), Demonaz (Immortal), Garm (Ulver), Frost (Satyricon), Bjarne Melgaard (visual artist).

from the docu : varg

For me this movie is special for a simple reason that Burzum has got maximum footage. We are taken inside the maximum security prison where Varg had been kept until he was released this year. I would want to thank the makers for bringing out the real Varg and most of all his sense of humor. A very pleasant personality his wit makes you want more of him. Moments when you get a chilling doze for your senses include the part where Burzum tells you how it is to stay confined for so long and ofcourse the uncanny silence when he confronts stabbing Euronymous in the skull.

the makers : aaron aites and audrey ewell

The documentary has been well directed by Aaron Aites and Audrey Ewell and has a personal touch to it. The production has also been handled by the duo. Norway has been depicted as we know it to be, absolutely enchanting. Background score has to be fine as we are talking black metal here. The song that appears to be the theme track of the movie is The Ballad of the Broken Birdie Records by Múm. I remember looking for the track after the movie. Enough said, too much of praise tends to spoil the watch. Buy the movie, download it or just steal but it needs to be watched. Well if black metal is your thing then I bet you already have watched this one.

Rating : 4/5

Check out this article on the Flaming Skull E-Zine here : The Flaming Skull E-Zine : August 2010 issue

Also read :

category : Recommendation

category : Diverse Articles

category : Polls

category : Album Reviews


album review : Demonoir (2010) – 1349

albumDemonoir

artist1349

genre : Black Metal

year2010

Putting themselves to shame with their previous release, 1349 has definitely made some serious effort to bring us out of the shock that was Revelations of the Black Flame. The only reason for not writing a review for their last release was not only the fact that I did not know how to praise them as I love blasting their first three albums, but also did not know whether I will be able to sound as disappointed as I want to. Well, shit happens and in less than an year comes Demonoir.

Demonoir is not the 1349 that the band is known for but still is above par as compared to Revelations. The album cover might put off the music but we have had worse artworks. With thirteen tracks having names you do not want to remember, the album opens with an almost silent intro Tunnel Of Set XI. But actually the album has just six tracks. Whereas the remaining seven that are named from Tunnel Of Set XI to Tunnel Of Set XVII are inserted between those six tracks. These numbered tunnels are around one minute fillers where the band showcases their ability to fart in darkness. Of the six songs only When I Was Flesh and Pandemonium War Bells are the ones that 1349 should be proud of.

Personally I call the genre 1349 plays as apocalyptic black metal purely because they put me through catastrophe with Liberation, Beyond The Apocalypse, and Hellfire. Considering they are amongst the premier Norwegian black acts they have to get their act together and find their way back to their older stuff lest they will end up as just a four-digit number signifying some bullshit that happened in the year 1349.

Rating : 3/5

Also read :

Old Habits Die Hard

album review : We’re Here Because We’re Here (2010) – Anathema

Interaction with P. Emerson Williams


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