album : Orkan
artist : Vintersorg
genre : Viking/Folk Metal, Progressive Metal
year : 2012
Jamming even more seriously to their own proggy folk tunes, the Swedish-duo reproduce their jolly good music, and while you’re playing the album you’ll even forget to wipe your nasal mucus. Effective, eh?
Start a topic on folk metal and a detailed discussion would lead to the conclusion that Vintersorg are second to hardly any bands. These sons of Sweden could never make an intelligent critic frown at their tracks, simply because the mesmerizing output of their hard work is beyond the realms of musical pleasure. Managing to weave together viking topics with heaps of progression has made them a bullet proof metal act. With seven full-length albums that speak on behalf of this band’s talent, the journey that Vintersorg has had, looks straight out of a successful band’s biography that has multiple merits to it’s credit. Correction – A successful folk metal band’s biography. Folk is a step ahead, it is an elaboration of metal, and makes the genre proud.
Never simplistic in their approach, Vintersorg‘s eight full-length Orkan takes its time to unravel some of the untouched mysteries of a lovable metal category. Within an year of Jordpuls, the duo consisting of Vintersorg and Mattias Marklund have dropped an unsurprising package of eight tracks. Take for instance the speed-driven riffing on Istid, with a lot of clean vocals accompanied by many parts of chorus. The drumming pattern on the album is circuitous, and dials a different progressive number each time. Ur Stjärnstoft Är Vi Komna sets the surrounding on fire, helps vocalist Vintersorg growl his own words, and is mostly symphonic. Growls take the pole position on Havets Nåd, and Norrskenssyner.
The beauty of Vintersorg lies in the fact that even though they might be working too hard, their songs come across as seamless. Like how some things are meant to be, their songs too meant to be logical and musically meaningful. Third track Polarnatten has it all packed into one, be it the vocals, the keyboards, the boundless guitar playing. It is one song that has folk written all over it, along with Orkan and Havets Nåd. Vintersorg has been a town of melodies with every alley filled with melody in some or the other form. Even Orkan would receive all of my votes for carrying rhythmic tunes. Specially on Norrskenssyner and Urvädersfången, as they raise the groove bars too.
Nature, philosophy, culture can have bright as well as dark aspects to them, and when an epic band like this one decides to devote their songwriting to such subjects then the music branches out into several directions. Myren has a surprise in store with a very bluesy and pleasant guitaring. Orkan is entirely in Swedish, which won’t hit you in the first instance. The production is neither excellent, nor a let down. A fine balance is maintained, and is even raw at places.
The ever-lighting lamp post that goes by the name of Vintersorg has once again produced songs that pierce deeper into your skin, and make a visible place for themselves, even if it means to find the whole space already clogged with some good folk releases this year, which includes my favorite album Helvetios. Orkan will usher you into the strong viking kingdom, where the floating bubbles of progressive material will burst softly and you’ll cling on to the record for a long time to come.
Rating : 4.5/5