Category Archives: Uncategorized

album review : Firdous (2013) – Coshish

album : Firdous

artist : Coshish

genre : Progressive Rock

year : 2013

The idiosyncrasies of a band that has been hard at work, silently, has been perfectly captured on Firdous. Coshish is not giving away music here, they are coming towards you with a flame of emotions.

coshish firdous logo album coverWith the underlining strength of Firdous being undeniable melody, and a lot of soul, Coshish‘s vigorous storytelling ability is a fresh departure from the aisle of oft heard rock, that all seem to be a product of the same flock. After clambering out of life’s unpredictable trenches, day in and day out, putting your life in the hands of some purposeful work of art doesn’t just lift one’s spirits, but that is also the only way of life I’ve known. Firdous is a carousel that has heaps of images from your past, present and future on-board. Let’s start the ride.

The poetic carnival kicks off with the title track Firdous, and is a very post-rock influenced song where the vocals also act as an instrument. They are all on the same layer, so to speak. Hence, the intro builds up a range of possibilities, where the lyrics act as the nuts and bolts of this emotional bridge. It’s a comfortable song, and you’ll be absorbed by the tune. The grace lies in the details. Listen carefully…

The progressive aspect of the whole prog-rock thing becomes visible on Raastey, complete with oscillating patterns, vocal range variations, tightly in-sync instrumentation and unexpected guitar tunes. You ought to be aware of the fact that you definitely do not know where the songs are headed. The songs don’t hit you in-the-face nor do they befuddle you. What they do is heighten the pleasure of the sonic enlightenment you are up against. The odd timings are carried forward on the tracks CoshishMuktiWoh Kho Gaye and Maya.

coshish music video

Rhythm is like the cornerstone of Coshish‘s sound. Pick any song and try to dodge the rhythm sections. It is very prevalent, it is very necessary and it is in the context of the entire scenario. I would most definitely want to highlight the work on RaasteyWoh Kho Gaye, Firdous and Hum Hai Yahin. So, we’ve established that the life of the band lies in the strings. The guitar solos on CoshishWoh Kho Gaye, Rehne Do, Raastey and Hum Hai Yahin animate the whole experience of hearing Firdous.

While the versatility on drums is all over the album, hear Maya, Raastey, Coshish and Mukti to remove the tag of a procrastinator, if you carry one, because the throbbing will get you going!

shrikant sreenivasan  guitars coshishThe opening piece on Behti Boondein initiates acoustic strumming, accompanied by sitaresque samples and the band goes onto induce a trance-like state. The innocence is inevitable in the vocals, so are the active beats on the percussion well complemented by the bass, thereby liberating you from the shackles of some self built mystery.

Maya means illusions, but the irony of the track is very evident in the words. The band uses the route of reality to replicate a similar world of illusions through the song. It is a hard-hitting composure, bringing you face to face with a mirror, and you have to decide which side you are on. Luscious harmonies dominate majority of the album, and I swear by the tracks Rehne Do, CoshishBhula Do Unhey and Raastey.

Your allegiance to memories would be tested on Hum Hai Yahin and Rehne Do. A lump in your throat would be an apt metaphor to this song’s adroitness at handling you. And since everything comes with two sides, you could also be vivaciously looking forward to the future. The entire track has been knit together as one entity, with the libretto breathing life into it. The more you hear it, the harder it gets, if you know what I mean. I’m in love.

An epic closure to the album, comes in the form of an instrumental titled Mukti – the longest track out of the ten gems. Supreme play of instruments, unconventional mind-bender moments and varied temperaments best describe this song. The outro, being an instrumental, gives you time to reminisce about the entire record thereby playing a series of events in your mind that you were actively part of.

coshish band live

The production on the record, by all means, is as clean as a hound’s tooth. A very essential need for bands recording their material is to find the right sound, and Coshish could not have asked for a better launch. The bass gets its ass kissed on CoshishWoh Kho Gaye, Maya, Rehne Do and Bhula Do Unhey. Some twisted vocal talent, inclusive of high range is displayed on Raastey, Woh Kho Gaye, Maya and Rehne Do. I have to add there is a lot of room for experimentation in the vocal department.

Well, if love means to you what power means to a politician, what erroneous situations mean to superstition and when looking after her doesn’t mean obligation then Firdous is right on money with the sound and worth every penny you want to spend because you’ll fall in love with the record. Impactful songwriting aside, Firdous contains some of the most heavenly lyrics. Coshish talks about stuff you already know. But, every now and then we require some means through which we can relate to anything and everything around us, and that is what Firdous successfully achieves.

hamza kazi drums coshish workshop

Picture this: A mug of your most-liked beverage, overcast skies and light drizzles outside while you make yourself comfortable in one corner of your balcony. That’s when you’ll want Firdous in the background. You wouldn’t want to trade all of that for anything, would you? Go ahead, pick up the record and swim in a pool of dreamlike melody…

Rating: 4/5

Coshish is:

Mangesh Gandhi on Vocals, Rhythm Guitars, Mouth Organs
Shrikant Sreenivasan on Lead Guitars
Hamza Kazi on Drums, Xylophone
Anish Nair on Bass

coshish band 2013

Firdous has been produced by Zorran Mendonsa.

Coshish‘s facebook page: https://www.facebook.com/Coshish

Coshish‘s website: https://soundcloud.com/coshish

Raastey‘ official music video: http://www.youtube.com/watch?v=hXKzA0YDjDw

Have something to say to the band, send an email to: coshishband@gmail.com.


1833 AD’s Nishant Abraham: “The usage of chord progressions that typically define Black Metal, come to me naturally”

1833 ad band logoAhead of 1833 AD‘s headlining gig in Bombay, Nishant Abraham – frontman of Indian black metal act 1833 AD talks about the challenges faced by the band, their 2012 debut record ‘My Dark Symphony‘, why they love playing in Bombay and tackles a few other questions that need a credible black metal band’s opinion.

Read on…

Imagine a world completely devoid of black metal. There is no reference point and such a genre doesn’t exist. Would 1833 AD still have existed.

NishantTo a certain extent, yes, but I wouldn’t have been so creative to term it Black Metal. I would have gone with something cheesy; Dark Metal, at best. The darkness that Black Metal creates, like any other form of music, is because of the arrangement of notes. And the usage of such chord progressions that typically define Black Metal, come to me naturally. Instrumentally, would we have sounded similar? Definitely. In terms of vocals? No chance in hell. I came from a very mellow vocal background and wouldn’t have considered screaming into a microphone even in my wildest dreams.

Three members in Delhi, and one member in Bangalore. Two different cities. Considering the obvious issues of management and lesser jamming sessions you guys still manage to pull off a tight gig. What does it take to make that happen.

Nishant – It is tough. With the distance, we have to practice regularly on our own to ensure we know our parts like the back of our hand so that it all comes together as one fluid piece when we perform. We feel it’s important to jam together at least once before a show. For this, we usually try and reach the city a day before. Sometimes it’s on the day of the show. Once, all we had time for was on-stage sound check. It was the biggest challenge we ever faced but we pulled through and were extremely proud of ourselves.

1833 ad black metal

A band wants to cover obscure underground songs that they truly believe in. And often it is overheard that the choice should’ve been a mass favorite. Your thoughts.

Nishant – Hmm, interesting question. Maybe it comes down to the band’s ideology. Are they trying to win points with the crowd? Or are they showcasing their music and influence? Personally, I wouldn’t mind either and we have done both in the past. We would do a song that no one knows if we feel the audience could use a good lesson in Old School Black Metal, but we would never play a song that we don’t believe in just to please the audience.

I’m aware of the staggering numbers that went into the production of ‘My Dark Symphony’. Resulting in a product that is top notch. No compromises there. What was going through the band’s mind when it came to the financial aspects of recording the album.

nishant abraham 1833 adNishant – How are you aware of that?

I know everything (laughs). Anyway…

Nishant – We had spent a lot of money just to get the music ready. But the concept we went with was incomplete without the artwork. Did we really have to spend so much on artwork? Maybe. Maybe not. Why settle? We wanted to create something that was never done before. The artwork has a vague storyline going on which is a mystery in itself. Trying to understand what each page means, how it possibly relates to a song, division of the chapters, et cetera are some of the alluring things My Dark Symphony has to offer. Something our fans could buy and feel that they got their money’s worth. And I think we did that with My Dark Symphony. If you are reading this and have no idea what we’re talking about, shame on you!

Alright, there are people who take 1833 AD’s music seriously, and that’s where the true fanbase comes into picture. Any upcoming gigs these people should know about.

Nishant – We love our fans! We get emails from our fans asking us for lyrics, tabs, minus tracks, etc. Everything we do, every penny we’ve ever spent, it all seems worth it with each of these emails.

We are playing two shows at the end of this week. Chandigarh on the 26th and Delhi on the 27th. We are also talking to few organizers in Jaipur and Pune. If something materializes, we’ll announce it on Facebook.

Bombay is going to play host to the third edition of Black Metal Krieg (BMK) event on the 8th of December, 2013. Sign-off the interview by telling us how do you plan to captivate your audience at BMK 3.

Nishant – We love playing Mumbai. The fact that it’s BMK just makes it more special. Getting to share the stage with so many other Indian Black Metal bands is a great privilege and we look forward to it. The Mumbai crowd returns the passion with which we perform. We will be throwing in a few surprises, some of the unforgotten classics perhaps? It’s gonna be wild!

1833 ad band live

1833 AD is:

Nishant Abraham on Vocals/Guitars
Rahul Mehalwal on Guitars
Sushmit Mazumdar on Bass
Raghav Sehgal on Drums

http://www.1833ad.com/

https://www.facebook.com/1833ad

If you want to contact the band directly, shoot an email to: 1833ad@gmail.com.

[ Black Metal Krieg 3 (featuring 1833 AD, Stark Denial, Solar Deity, Cosmic Infusion, Winter Gate, Dark Desolation, Winter Prophecy, Dormant Inferno and Spiked Crib) is the only event in India that pays tribute to black metal. The event is going to demolish a venue in Bombay on the 8th of December, 2013. Stay updated here: https://www.facebook.com/events/626388167400031/ . ]

Also read:

In-depth review of 1833 AD’s debut album ‘My Dark Symphony’

Dormant Inferno’s debut demo ‘In Sanity’ reviewed

2010 article about the Indian Black Metal Scene

gig review : Black Metal Krieg (December, 2010)

Join Absurd History on facebook


festival review: Dark Tranquillity live at Bangalore Open Air, 2013

martin henriksson dark tranquillity live bangalore open air 2013 absurd history

click to enlarge

Swedish melodic powerhouse Dark Tranquillity were also amongst one of the most anticipated bands to play at the 2013 edition of Bangalore Open Air. With their immense love for themes like memories, death and despair, for those of us who are actually into it couldn’t have come any closer in terms of matching our emotional frequencies with a metal artist. DT, as they are fondly known to their fans, amaze the listeners each time with their tracks, that enhance the blurry corridors of our mind thereby cleansing the world that’s present inside each person. And hence there is a massive connect.

mikael stanne dark tranquillity live bangalore open air 2013 absurd history 01

click to enlarge

Having missed their Hyderabad performance in 2011, being there in front of Jeff Hanneman stage was mandatory for me. And boy did they splash the crowd with showers of dark melody! Everyone woke up from their drunken slumber and paid attention to Dark Tranquillity‘s roulette. We chose our ball, placed it on whichever compartment of our emotional wheel and there they had a song ready for you. Razor sharp death metal was acuminated even more by their earsplitting presence on stage. Everything remained benign during their performance, be it the weather, sound or vocalist Mikael Stanne‘s smile.

niklas sundin dark tranquillity live bangalore open air 2013 absurd history

click to enlarge

Having successfully released their new record Construct earlier this year, India was a perfect stop for their album tour and the band made sure they did not leave anyone dissatisfied. dark tranquillity live bangalore open air 2013 absurd history 01 Heads were banged and fists were raised to their tracks that were chosen more from their new record, but old crowd favorites were also played. The lethal combination of Martin Henriksson (guitars), Anders Jivarp (drums), Niklas Sundin (guitars), Martin Brändström (synth) and our beloved Mikael Stanne (vocals) sent chills down the spine of everyone who was present during their set. Not that they were spooky or anything, but they achieved it through a barrage of intimidating cimmerian riffs and beats.

Huge grins on the faces of the members throughout the set placed us in their hearts, and I have no doubts about them returning again in the future. Tenth DT album is now out and they are still going strong. For never disappointing their fans, be it with their studio albums or a live performance, may the force always be with Dark Tranquillity.

dark tranquillity live bangalore open air 2013 absurd history 02

click to enlarge

Here’s a slideshow containing more pictures:

This slideshow requires JavaScript.

[ Pictures – courtesy of Khushboo Sinha. Everybody head over to the link to check out more of her work here: Khushboo Sinha’s tumblr page ]


festival review: Ihsahn live at Bangalore Open Air, 2013

And now the fanboy speaks…

The only reason I had decided to travel all the way to Bangalore, almost a month back, was to see one of my favorite black metal vocalists and musician extraordinaire Vegard Sverre Tveitan in flesh, also known as Ihsahn to the world. When Emperor had dis-banded it was like a personal loss to me because I knew I’d never see them play live or record an album again. But that was that.

ihsahn live at bangalore open air 2013 absurd history 03

click to enlarge

In 2005, Ihsahn formed a band under the same monicker to experiment with the various ideas that his creative and passionate mind kept coming up with. Not black metal by definition, Ihsahn made sure the underlying theme remains dark and picked up from where he left off on Prometheus – The Discipline of Fire & Demise, Emperor‘s 2005 release. Hence the progressive nature of the music on all of his solo works.

ihsahn guitarist live at bangalore open air 2013 absurd history 02

click to enlarge

When Ihsahn stepped on the stage with his guitar, I simply couldn’t believe that I was staring into his eyes. He was the same man who wasn’t into any kind of politics when the black metal scene erupted in Norway in the early-1990’s. Instead he made more and more music to make his point. It took me, personally, a good ten minutes to survive the fact that I’ve seen a person who encouraged me to get my first tattoo dedicated to him, who opened new avenues in my mind, who made black metal my lifestyle and was influential to me in so many more ways.

ihsahn guitarist live at bangalore open air 2013 absurd history 03

click to enlarge

This multi-instrumentalist performed tracks from Eremita, which released in 2012 as well as tracks from all of his previous releases After (2010), angL (2008) and The Adversary (2006). The years have been mentioned besides the album names in order to show his consistency as a musician. Although Ihsahn is a solo project the live members include Tobias Ørnes Andersen (drums), Tor Oddmund Suhrke (guitars, backing vocals), Øystein Landsverk (guitars, backing vocals), Einar Solberg (keyboards, additional vocals), Rein T. Blomquist (bass) – All of whom are members of Leprous from Norway. Leprous were also part of Bangalore Open Air and they performed just before Ihsahn on the Ronnie James Dio stage.

ihsahn live at bangalore open air 2013 absurd history 01

click to enlarge

A legend made an appearance in India, entertained us, even said he was very happy for being able to make it and left me and I’m sure many others speechless by his humility, stage presence and undying love for music. It is moments like these that remain stored in a shell inside our subconscious mind and it is moments like these that make life worth living. I know Emperor fans are still trying to get their head around the fact that they actually saw Ihsahn, and we all should thank the organizers of Bangalore Open Air for making an intelligent and worthy choice. All the way from Norway!

Here’s a slideshow containing more pictures:

This slideshow requires JavaScript.

[ Pictures – courtesy of Khushboo Sinha. Everybody head over to the link to check out more of her work here: Khushboo Sinha’s tumblr page ]


festival review: Leprous live at Bangalore Open Air, 2013

leprous bangalore open air 2013 absurd history 05

click to enlarge

Many might not have figured this out, but in Ihsahn‘s band there were only members of Leprous, apart from the main man of course. Hence Leprous got this big break of travelling all the way from Norway to not just perform with Ihsahn but to showcase their own slab of avant-garde progressive metal. Since I am a huge fan of Norwegian black metal I went there thinking they are just a band that’s there to fill a slot but they proved me wrong from the very first note.

tor oddmund suhrke leprous bangalore open air 2013 absurd history

click to enlarge

rein blomquist leprous bangalore open air 2013 absurd history 06

click to enlarge

What’s so peculiar about Leprous you ask? It’s their flair. Grabbing eardrums by way of closely scrutinized progressiveness and attracting eyeballs by way of dressing up in a distinct fashion (think Akercocke, Ghost). Norwegians have these magnetic personalities and you end up bobbing your heads anyways.  Up on the Ronnie James Dio stage, Leprous made a major contribution to Bangalore Open Air, 2013. Downright progressive metal with characteristic riffs and consummate drumming crippled many in the crowd which directly earned Leprous many new fans.

Coal, Leprous‘s third full-length, was released this year and hence the set-list included most of the tracks from the new record. Each member brought in their own influences, and it looked like a large assembly on the platform with five members in the band. Vocalist Einar Solberg also doubled up as a synth player. Almost every other member, except drummer Tobias Andersen, boosted the band’s sound through backing vocals. Let’s not forget the elephantine addition by the other three significant members Tor Oddmund Suhrke (guitars), Øystein Landsverk (guitars) and Rein T. Blomquist (bass).

einar solberg leprous bangalore open air 2013 absurd history 01

click to enlarge

Thumbs up from India to this progressive act, by not just me but the audience who took pleasure in their music and the people who are going to discover them bloody soon through word-of-mouth. The conglomerate that is Leprous is a force to reckon with in the years to come, and I’m going to keep track of the happenings in their garage. Cheers, guys!

Here’s a slideshow containing more pictures:

This slideshow requires JavaScript.

[ Pictures – courtesy of Khushboo Sinha. Everybody head over to the link to check out more of her work here: Khushboo Sinha’s tumblr page ]


festival review: Demonic Resurrection live at Bangalore Open Air, 2013

sahil makhija demonic resurrection india bangalore open air 2013 absurd history

click to enlarge

It was at Bloodstock Open Air last year that I saw India’s Demonic Resurrection play for a multiethnic crowd, and I wanted to see how accepting the audience is. And having seen them in our country for the last ten years I must say the response was as good as what I must’ve seen at one of their best gigs in India, if not better. This, when Paradise Lost were on the main stage.

mephisto demonic resurrection india bangalore open air 2013 absurd history

click to enlarge

Welcome to the Ronnie James Dio stage where Demonic Resurrection – the oldest, one of the the biggest and darkest Indian band that kick started this year’s Bangalore Open Air festival, but in broad daylight. Nevermind. Unfortunately the only Indian band to have been invited to play at the Bangalore festival (as the rest couldn’t for various reasons), Demonic Resurrection braced the audiences with their brand of demonic metal. Demonic metal, which I would say is a concoction of symphony, progression, speed, death, black metal with a slice of technicality is today very mature than what we have heard from them over the years.

daniel rego demonic resurrection india bangalore open air 2013 absurd history

click to enlarge

The set list consisted of tracks from their previous two albums, A Darkness Descends (2005) and The Return to Darkness (2010), out of the three that Demonic Resurrection has released till now. Sadly, since they were the first band to open Bangalore Open Air post the Wacken Metal Battle the audience was only a handful who treated themselves to a cocktail of some complex extreme metal. A sound that is one of it’s kind in our sorry ass nation, and a band that made its way to the top through sheer fortitude. While many tried to bring them down, the band retaliated with more hard work, thereby setting an example in the minuscule history of metal that India has.

ashwin shriyan demonic resurrection india bangalore open air 2013 absurd history

click to enlarge

Frontman Sahil Makhija, a friend and a good musician, shouldn’t have called out the name of some guy from the audience as that, for me, does not add to the stage act. Crowd interaction is a must for entertainers, and Demonic Resurrection being the torchbearers of metal itself in India does not do it any less. The audience would be a lot happier if there is more interaction in general, than pointing out names. We are at a festival and in the audience there could be anybody from any place on the planet. That being said, Demonic Resurrection is tight as a tick, musically. Thanks to the ensemble star cast that comprises of guitar prodigy Daniel Rego, bass-nailer Ashwin Shriyan, impossible-to-match drummer Virendra Kaith and synth-lover Mephisto.

All set to release another album this year, Demonic Resurrection made sure they do not give the listeners a sneak peek of their yet-to-be-titled fourth album. If you are a fan then you’ve got to wait and watch out for their new sound, which according to guitarist Daniel is, “much more evolved than what we’ve composed in our earlier albums, in every department that DR delves into“. With a live performance like that, and an album in the pipeline I wish DR all the very best for their future.

Here’s a slideshow containing more pictures:

This slideshow requires JavaScript.

[ Pictures – courtesy of Khushboo Sinha. Everybody head over to the link to check out more of her work here: Khushboo Sinha’s tumblr page ]


Bangalore Open Air 2013 : Introduction, announcements and a chat with the organizers

In a bid to broaden India’s metal horizons, Infinite Dreams founder Salman Syed and his team have taken up the arduous task of doing what seemed like a distant dream just a few years ago.

bangalore open air 2013 logo

Such is the trappings of our mundane life that escaping the daily routine and hating the unreasonable comes easy. After a long bout of gigs, festivals and metal parties across the United Kingdom in 2012, the last thing I wanted was to not have a festival back home. That culture is zealously and emphatically addictive. All the celebrations and mammoth gatherings of like-minded, carefree, metal-loving population across the globe is something that is looked forward to. All year round.

For starters let’s not forget we did not even have local gigs happening in India. There was no such thing called live metal gig for us. Just over a decade ago, the sonic boom that causes your ears to bleed was a craving. I remember being present at gigs where the total attendance was not more than 30 people including the playing bands. Shame. Today, after Iron Maiden ventured into our territory in 2007, the penetration of international acts is seen as an overdose by many. The question remains unanswered and the answer lies within. Not hard to figure out, as the answer goes something like – Pack your bags and attend.

2012 was a game changer. Heavy metal aficionado and manager of Bangalore-based band Kryptos, Salman Syed decided to break the barrels and open the gates for all of us to be able to experience something massive. Brought to life by Infinite Dreams, in association with Wacken Open Air (Germany), Bangalore Open Air aided us maniacs to bring out our black accoutrements and witness real bands that have made their way to the top through sweat and only that.

bangalore open air 2013 line up poster

When quizzed about why exactly did he take this initiative, a very tied up Salman replies, “Having inspired by Wacken Open Air I wanted to create something along the same lines in India, and hence the idea was born and BOA is here“. In terms of the challenges faced in putting together a line-up like this one the man takes a very nonchalant approach. “After the first edition bands were excited to see the response and wanted to play at BOA so it wasn’t difficult to get them on board“.

The onus of handling the media section of BOA is on Bangalore-based Samarpita Samaddar. A short tête-à-tête with her provided me an insight into what is going through the minds of the organizers. And this is what Samarpita had to say, “We started BOA festival last year with just two international bands Suidakra and Kreator. It received a big response and was really successful. This year, it’s bigger and better with an unbelievable line-up“.

Going further, I wanted to know how exactly did the mainstream media welcome this concept of hosting such a humongous metal festival in India. “Though for mainstream media, heavy metal is a very niche genre so it is challenging but I have to say that we have got a very good response from the media as of now. A festival of this stature is never an easy game, it takes a lot for organizing it well, to make sure everything goes smoothly. The metal scene in India is changing widely across the country. With platforms like Wacken Metal Battle, India is seeing a steady growth in popularity and with festivals like BOA, we can see a mix of international and Indian bands playing more and more in India“, says Samarpita, who is also an independent publicist.

ihsahn live at bangalore open air 2013

One year old and still going strong (which is surprising for a festival in India that has only metal on the menu), BOA has managed to rope in some of the biggest names for the 2013 edition. Surprisingly there is variety which directly implies the turnout should be gigantic. In no particular order here’s what our retinas and eardrums would be subjected to this year:

1. Ihsahn (Norway) – Extreme Progressive Metal

2. Sodom (Germany) – Speed/Thrash Metal

3. Iced Earth (United States) – Power/Thrash Metal

4. Dark Tranquillity (Sweden) – Melodic Death Metal

5. Animals As Leaders (United States) – Instrumental Progressive

6. Leprous (Norway) – Progressive Metal

7. Demonic Resurrection (India) – Progressive Death/Black Metal

And, what kind of reception is expected this year, to which Salman signs off by saying, “I hope more and more people understand the importance of festivals, and I’m confident that this year it will be bigger and better at BOA“.

Do not let go of this unadulterated metal fest. Show your support because otherwise you would not have anywhere or anyone to run to for any kinda grievances and all your complaints would fall on deaf ears. Life waits for no one. Let your hair down and be a part of Bangalore Open Air.

[ Visit the official website here : Bangalore Open Air official website for details pertaining to the venue and ticket outlets. The tickets are priced at Rs. 2499. ]

Oh, and there is a poll as well:


R.I.P. Santhosh Lobo

santhosh lobo indianrockmp3

Santhosh Lobo

With a heavy heart I bid farewell to my friend, the founder of IndianRockMp3, Santhosh Lobo. After a prolonged battle with cancer, Santhosh – the independent promoter of Indian music scene, is no more. Santhosh touched thousands of lives by simply setting up a website that would provide you every information about any Indian band you could possibly name. Be it articles, interviews or collaborations, he did everything selflessly, with a glee in his eyes which is what made him a special person in the Indian music scene.

With his passion aside, I knew this man for his candor, the motivation he provided me and the ease with which he took everything in his stride. I’ve lost someone I was close to, I’m devastated and my heart goes out to his family. I know we all move on with things in life, but this one’s definitely going to be a hard one. Rest in peace, Santhosh. I’ll miss you. Or rather, we all will.


Black Sabbath live on Jim Marshall Stage at Download Festival, 2012 : A review in pictures

The title says it all. Possibly Black Sabbath‘s last performance of their career, and as expected drummer Bill Ward was replaced by Tommy Clufetos (drummer Ozzy Osbourne, ex-Alice Cooper).  They headlined Jim Marshall Stage on the final day of Download Festival 2012. Even after almost forty three years of the band’s formation, Black Sabbath showed more than a hundred thousand of us why they are still one of the greatest metal bands that’s ever walked the earth.

Black Sabbath’s set-list for Download Festival, 2012

Black Sabbath
The Wizard
Behind the Wall of Sleep
N.I.B.
Into the Void
Under the Sun
Snowblind
War Pigs
Sweet Leaf
Symptom of the Universe (instrumental)
Drum Solo
Iron Man
Fairies Wear Boots
Tomorrow’s Dream
Dirty Women
Children of the Grave

Encore:
Paranoid

Click on the pictures o enlarge them.

And, there is a slideshow as well!

This slideshow requires JavaScript.


Metallica live on Jim Marshall Stage at Download Festival, 2012 : In pictures

Click to enlarge


%d bloggers like this: