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1833 AD’s Nishant Abraham: “The usage of chord progressions that typically define Black Metal, come to me naturally”

1833 ad band logoAhead of 1833 AD‘s headlining gig in Bombay, Nishant Abraham – frontman of Indian black metal act 1833 AD talks about the challenges faced by the band, their 2012 debut record ‘My Dark Symphony‘, why they love playing in Bombay and tackles a few other questions that need a credible black metal band’s opinion.

Read on…

Imagine a world completely devoid of black metal. There is no reference point and such a genre doesn’t exist. Would 1833 AD still have existed.

NishantTo a certain extent, yes, but I wouldn’t have been so creative to term it Black Metal. I would have gone with something cheesy; Dark Metal, at best. The darkness that Black Metal creates, like any other form of music, is because of the arrangement of notes. And the usage of such chord progressions that typically define Black Metal, come to me naturally. Instrumentally, would we have sounded similar? Definitely. In terms of vocals? No chance in hell. I came from a very mellow vocal background and wouldn’t have considered screaming into a microphone even in my wildest dreams.

Three members in Delhi, and one member in Bangalore. Two different cities. Considering the obvious issues of management and lesser jamming sessions you guys still manage to pull off a tight gig. What does it take to make that happen.

Nishant – It is tough. With the distance, we have to practice regularly on our own to ensure we know our parts like the back of our hand so that it all comes together as one fluid piece when we perform. We feel it’s important to jam together at least once before a show. For this, we usually try and reach the city a day before. Sometimes it’s on the day of the show. Once, all we had time for was on-stage sound check. It was the biggest challenge we ever faced but we pulled through and were extremely proud of ourselves.

1833 ad black metal

A band wants to cover obscure underground songs that they truly believe in. And often it is overheard that the choice should’ve been a mass favorite. Your thoughts.

Nishant – Hmm, interesting question. Maybe it comes down to the band’s ideology. Are they trying to win points with the crowd? Or are they showcasing their music and influence? Personally, I wouldn’t mind either and we have done both in the past. We would do a song that no one knows if we feel the audience could use a good lesson in Old School Black Metal, but we would never play a song that we don’t believe in just to please the audience.

I’m aware of the staggering numbers that went into the production of ‘My Dark Symphony’. Resulting in a product that is top notch. No compromises there. What was going through the band’s mind when it came to the financial aspects of recording the album.

nishant abraham 1833 adNishant – How are you aware of that?

I know everything (laughs). Anyway…

Nishant – We had spent a lot of money just to get the music ready. But the concept we went with was incomplete without the artwork. Did we really have to spend so much on artwork? Maybe. Maybe not. Why settle? We wanted to create something that was never done before. The artwork has a vague storyline going on which is a mystery in itself. Trying to understand what each page means, how it possibly relates to a song, division of the chapters, et cetera are some of the alluring things My Dark Symphony has to offer. Something our fans could buy and feel that they got their money’s worth. And I think we did that with My Dark Symphony. If you are reading this and have no idea what we’re talking about, shame on you!

Alright, there are people who take 1833 AD’s music seriously, and that’s where the true fanbase comes into picture. Any upcoming gigs these people should know about.

Nishant – We love our fans! We get emails from our fans asking us for lyrics, tabs, minus tracks, etc. Everything we do, every penny we’ve ever spent, it all seems worth it with each of these emails.

We are playing two shows at the end of this week. Chandigarh on the 26th and Delhi on the 27th. We are also talking to few organizers in Jaipur and Pune. If something materializes, we’ll announce it on Facebook.

Bombay is going to play host to the third edition of Black Metal Krieg (BMK) event on the 8th of December, 2013. Sign-off the interview by telling us how do you plan to captivate your audience at BMK 3.

Nishant – We love playing Mumbai. The fact that it’s BMK just makes it more special. Getting to share the stage with so many other Indian Black Metal bands is a great privilege and we look forward to it. The Mumbai crowd returns the passion with which we perform. We will be throwing in a few surprises, some of the unforgotten classics perhaps? It’s gonna be wild!

1833 ad band live

1833 AD is:

Nishant Abraham on Vocals/Guitars
Rahul Mehalwal on Guitars
Sushmit Mazumdar on Bass
Raghav Sehgal on Drums

http://www.1833ad.com/

https://www.facebook.com/1833ad

If you want to contact the band directly, shoot an email to: 1833ad@gmail.com.

[ Black Metal Krieg 3 (featuring 1833 AD, Stark Denial, Solar Deity, Cosmic Infusion, Winter Gate, Dark Desolation, Winter Prophecy, Dormant Inferno and Spiked Crib) is the only event in India that pays tribute to black metal. The event is going to demolish a venue in Bombay on the 8th of December, 2013. Stay updated here: https://www.facebook.com/events/626388167400031/ . ]

Also read:

In-depth review of 1833 AD’s debut album ‘My Dark Symphony’

Dormant Inferno’s debut demo ‘In Sanity’ reviewed

2010 article about the Indian Black Metal Scene

gig review : Black Metal Krieg (December, 2010)

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pre-album teaser (2009) review – 1833 AD

Being the biggest black metal fan alive I feel cursed when I have absolutely no Indian black metal releases to look forward to. Expecting a release is a little to much I am asking for as there aren’t any black metal acts around. Barring a few who try there is not much of an impact, not much of a following. I wouldn’t mind a less black metal following but a couple of tight acts could very well complete the circle.

Enter 1833 AD. A Delhi-band which doesn’t just claim to play black metal but justifies the genre. They are like hair on a just-shaved surface. Please laugh. First heard their track Silver about an year back. Wanted more but there was no news.

1833 AD having been around since 2004 haven’t made it big and I personally feel the only reason being their relatively low presence on the gigging scene as their music kicks ass. Consisting of 4 members with Nishant Abraham on vocals/guitars, Rahul on guitars, Sushmit on bass and Shashank on the throne, 1833 AD is just what a sucker for melodic black metal like me wanted.

Influenced heavily by Norwegian black metal I did not require any other reason to atleast check them out. After all, I have been dependent on Norwegian metal for almost everything, more on that some other time.

This 4-teaser they came out with includes tracks from their upcoming full-length My Dark Symphony. What do I infer from these tracks – black metal in their distinctive style, and it doesn’t take the charm away one bit, whether it is the dark but intensely melodic guitar riffs or the orgasmic drumming, and the neat bass-work. Did I not mention the vocals ? – something you have not come across before. Unique. What Nishant is possessed by to produce such rasped vocals is still unknown. They do not borrow their music from their influences and yet are inspired. Hear them and you’ll know why.

Out of the 4 tracks, the most recent one Inheritance Evil is without doubt their best till date and My Dark Symphony is going to get 1833 AD its due. Recording wise I see complete justice being done. For an Indian metal band their sound is one of the best I have come across.

This release is going to be important for the country’s black metal scene as it has to start somewhere. From the capital city, so be it.

If you are into black metal you have to check out 1833 AD without any expectations (obviously) and you are up for a big pleasant surprise.

Moral – It takes just 4 Indians to create black metal.

Also read :

album review : Demonic Resurrection – The Return To Darkness

gig review : Deccan Rock Festival 2009

Cruptus – a nefarious tribute to Kryptos


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