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gig review : IIT Bombay presents Mood Indigo Livewire 2011 featuring Karnivool

karnivool, livewire 2011

Before any other organizer starts planning about getting down a headlining act, that we look up to, these IIT-ians at Bombay are done dealing with the leading bands and have packed them off already. Their choices cannot be doubted, because they have by far had bands that are the torchbearers of their respective genres. Ensiferum in 2008, Porcupine Tree in 2009, Katatonia in 2010 and Karnivool in 2011. Who would have thought?

Everytime December seems close I keep my ears open for the organizers of Livewire to announce an act that nobody would have thought they’d get in touch with. These young brains are given the freedom to make decisions using which they do some mind-reading and put up a show that becomes more than just memorable. My association with Livewire dates back to 2005 and onwards. With each passing year nothing changes, audiences enter the institute via the main gate, go straight and take the biggest right turn the campus has to offer and there you are at the Student Activity Centre (SAC). The line to enter the venue never ends. Nothing changes except for the scale at which the event is conducted.

So, being the media partner for Livewire it was a breeze to enter the venue and for the first time in about six years I saw the event starting from band number one!

karnivool, livewire 2011

Lineup for the evening included –

1. Hoodwink’s Circle (1st runner’s up)
2. Turnkey (2nd runner’s up)
3. Verses (winners)
4. Junkyard Groove (opening band)
5. Karnivool

Although the three finalists were fighting it out for the same title, not every band got the same amount of time to showcase their prowess on stage. That said, the bands had the attitude, they did what they could. While I would have chosen Hoodwink’s Circle for representing India at the Global Finals, the judges chose Verses. I, however, do not agree with the result nor did one of the on-looker who had this to say, “They were playing forever, it’s like they were headlining the show“. Only I am allowed to be non-anonymous on this zine.

Welcoming Karnivool were Chennai-localites Junkyard Groove who opened the doors to funky rock ‘n roll draping the entire venue with their brand of melody. Although vocalist Ameeth Thomas failed at trying to make the crowd laugh (by cracking lame jokes), his voice more than made up for everything. So, JYG (short for Junkyard Groove) should just stick to entertaining the crowd, through music. There is a new album in the making, according to Ameeth and the crowd got to hear a lot of fresh material here. This was the first time I saw JYG live, and I must say they were so much more better than a certain Thermal And A Quarter (they played Livewire in 2007). I was caught snoring during TAAQ‘s set. Before I forget, good individual talent in JYG.

8:15 p.m. Lights, camera, action, sex! Karnivool, progressive rock musicians from Australia, showed everyone why they should be remembered more often than the stupid kangaroos from their continent. Kicking-off the concert with Goliath, the band surpassed every expectation, bringing together universes of sound. It was not just about the music, but the collective effort of the five personalities who made sure everything around seems surreal for the next one and a half hours. Ian Kenny, the frontman, speaks less and emits more. Like he said, “Music is a universal language. It doesn’t matter who you are, where you are from, music brings us all together“.

karnivool, livewire 2011

Everytime an international artist debuts in India they are surprised. It’s like they never hoped to see such reactions. Same happened with Karnivool. With hands on their mouths, the band was taken aback by the kind of love that was being showered upon them. Even I was surprised how some posers had mastered the art of displaying their undying support for the band although they’ve heard just one song by the band. Just one.

Karnivool was short of words and hence they continued performing rather than wasting any time. Their presence itself made all the difference.

Even the light arrangements were superbly done adding to the psychedelic property of Karnivool‘s songs. Before you even ask let me tell you that on-stage they are even more telling than the records. Their musical marathon continued non-stop till about 9:30 p.m. and then there was an encore.

karnivool, livewire 2011

This was their set-list for the night

Simple Boy
Set Fire to the Hive
All I know
Fear of the Sky

New Day

This concert was 2011’s biggest highlight for me. Yes, including NH7 Weekender and Metallica concert. There are reasons, and then there are reasons.

The Open Air Theatre (OAT) at IIT Powai is fast becoming a venue that would be counted on the first five fingers every time major ‘concerts’ are spoken about. Countless memories of so many artists and attendees are attached to this place. It only gets bigger and better each time, and more than anything else the organizers at IIT are making so many dreams come true. And, in case you already don’t know, making that happen is not the least bit easy.

Ian Kenny doing a Dharmendra!

[ All pictures – courtesy of Bobin James and Diane Vaz. Click on the names to join their official facebook page and check out their work. ]

And some more :

gig review : IIT Bombay presents Mood Indigo Livewire 2010 featuring Katatonia

Karnivool’s gig announcement and my first thoughts

The debut album that took Karnivool where they are today

Why you should read the Satanic Bible

Pope says child pornography is normal

All the album / Ep / Demo / Teaser Reviews

Other cool stuff on this zine

Metal Decade for India

Prelude –

Coming December would mark the last month of the decade and such things have never elated me. But this year it would be different. I have been a part of a movement, I have seen it all happen and I feel proud. Rounding up an epic decade for the Indian metal scene are some bands that had to be watched before resting in peace.

Two Thousand and Seven : The Penetration –

Although the first half was sulky it was 2007 when Iron Maiden decided to seal each of those person’s ass who thought metal does not exist in India. It was Rock in India’s first gig and it turned out to be a massive gig that got down metalheads not only from our nation but the neighbouring ones. I was infact almost crushed in that hysteric crowd. In 2008, they followed it up with another gig that marked the start of a world tour of the kind even they had not done before. And this brought all the remaining and much needed attention to India. Everything was noticed and things got to the other side of the world too. Thanks to Sam Dunn. Since then Maiden has played thrice in India. Both times I attended Bangalore and had missed the Bombay one. Sepultura did a three city tour in two thousand and seven itself and are yet to make their second trip.

Back in 2006 Great Indian Rock had invited Enslaved to Delhi and I was not as fortunate as the ones who saw them then. That ofcourse is history now. And we owe a lot to the first Maiden concert.

Since then we have had a spate of international gigs featuring bands that had made us pull out our hair and left us frustrated for not being blessed enough to be able to watch them. But now when I look back and think about the 3 years that have passed by I realize that a lot has happened around me. I no longer feel negative about the fact that I was born in India. If I chronicle the bands that arrived with their gears to perform in India I read a whole bunch of names – Iron Maiden, Megadeth, SepulturaLamb of God, Opeth, Satyricon, Ensiferum, Amon Amarth, Enslaved, EluveitieSahg, Machine Head, Hammerfall, Nervecell, TexturesRudra, De Profundis. Totally not bad.

Two Thousand and Eight –

In 2008, Dave Mustaine and troupe hit India to play a one-off gig following the release of United Abominations. This was the second edition of Rock in India and they were going strong. The only band out of the big four to have played India, Megadeth have not returned yet so I haven’t been given a chance to make up for my mistake of not going for their 2008 Bangalore gig. American band Machine Head had played alongside Megadeth. Although I had not heard more than one album of Machine Head before their gig, I did have the hangover of missing the whole event.

The same year India got a taste of how a live Norwegian black metal act looks and seems when they perform live. Satyricon headlined GIR-2008. I remember posing as a fake journalist and roaming around the lobby of this hotel they were put up in. Sick days. Saw Frost and did not get scared. Drank beer with King and even felt like one. Heavy doom band Sahg had supported Satyricon for the tour and I had comfortably made it to the front row for their set as only a few were interested. Thanks a lot, Amit Sehgal. Two months from then Ensiferum took the stage at this event named Livewire which is a part of a popular annual festival Mood Indigo hosted by IIT, Bombay. Along came some folk/viking music and many around me did not have as much as a clue of what this genre is. But they sure did dance to the tunes. It was the last song when a twenty-something me jumped the barricade, climbed the stage, headbanged and even exited with them. Good fun.

Two Thousand and Nine –

Opeth played the Saarang fest at IIT Chennai (early-2009), Hammerfall played the same venue in early-2010, Rudra played at ISM Dhanbad in March-2009. I missed all three of these gigs as they happened at godforsaken places. Rudra played at Dhanbad, Jharkhand. Really? But Rudra had played Bombay and Delhi in 2001, something I did not of and The Demonstealer did.

Swedish-band Amon Amarth headlined Deccan Rock Festival ’09 and melo-death came to India from where it should have come from. Also sharing the stage were progressive metal band Textures.

Two Thousand Ten and onwards –

By far 2010 has been an eventful year. Folk metal band Eluveitie travelled from Switzerland to IIT Guwahati’s annual festival in February. Rock in India organizers with a metal history paid Backstreet Boys to perform on the same platform as Iron Maiden and Megadeth. To overcome this serious blow Overture India debuted with an event as big as Lamb of God for the Summer Storm festival, Bangalore ’10. And it’s not been long since Nervecell‘s Preaching Venom India tour. I can wait for the next international act as my culture has taught me to wait. 2010 even saw Indian bands DR, Scribe and Kryptos finally breaking the mould when they went international. DR played a dream gig at Inferno festival Norway along with Scribe. Then DR played Brutal Assault festival Czech Republic. Kryptos left for a short European tour and have their dates booked for gigs next year too. All this happened in this very decade.

In the coming two months we have a lot of super gigs lined-up and I am totally kicked about them. Dates for Cynic, Meshuggah, Enslaved and Katatonia’s gigs are fast approaching. Maybe work commitments would not permit me to attend each one of them but then this is what is the state of Indian metal scene in the initial few years of it getting noticed. Don’t I have a lifetime to attend all the concerts that are definitely going to happen in India? Finally I have something good to say about our nation.

And the article would be incomplete without mentioning Katatonia separately. Totally my kind of music and so damn abundant. Hats off to the people who know of such music’s existence and are getting them down for us. There might be a tepid response for Katatonia but that would not in any way reduce the significance of this milestone event.

I would again say all this is just the beginning. It’s been just three years and bands are eager to make it to a new destination – India and fans here say they were always as loyal as they are now. Cheers!

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