Tag Archives: indian black metal

Solar Deity’s Aditya Mehta: “Exhumation is nowhere on my priority list”

solar deity band logoSoaked completely in black metal, Indian band Solar Deity started off as a studio project. Besides being a full-time live band now, Solar Deity is the only Indian metal act whose propensity for Satanism cannot be ignored. Clad in black robes the members take the stage not only with their instruments but also a clay pot, to quench their thirst. In short, they mean business.

I sat down with my pal Aditya – vocalist/guitarist of Solar Deity to discuss the Indian metal scene in general, Laveyan Satanism, Exhumation, the upcoming Black Metal Krieg gig and of course Solar Deity! Let’s proceed with the interview already, shall we?

  • Yo, Mehta! I’ve known you for years now. Why do you think I’m excited about interviewing you at this point in time.

Aditya – Because you know I’m going to say controversial stuff! I’m very cheery these days because the new EP is doing so well, and in general everything’s going great. Life is good, man. But I won’t disappoint you, old friend, so go ahead and hit me with the rest of your questions. I place my hand on the e-book version of the Satanic Bible and promise to tell you the truth, the whole truth and nothing but the truth!

Now that’s what I call creative relief. Alright, moving on…

solar deity band

  • You bash the Indian metal scene and many of the bands at the drop of a hat. It clearly shows that you, as an artist, are either uneasy or unhappy about the scene progressing or regressing in a particular direction. What, according to you, would be an ideal Indian metal scenario, where you don’t see yourself blasting, be it in interviews or conversations.

Aditya – Oh, balls to everyone! The scene is filled with poseurs and ass-kissers who are dying to be liked and accepted. Anyway, if these bands want to jack each other off it’s none of my business… but this underground scene is a fucking joke. There are very few bands that are actually worth something. The rest can die in a plane crash or get crushed under a bus.

So there is no ideal Indian metal scenario. You’ve clearly given up…

  • aditya mehta pot solar deityLet’s skip everything about how and why Solar Deity was formed. Tell me what does black metal mean to you, and how much of your ideologies could Solar Deity successfully imbibe.

Aditya – Black metal is music for the soul. I still love death metal the same way, of course, but black metal is what touches my spirit. Death metal is craft, black metal is art. I’m doing everything in and with Solar Deity that I couldn’t do before; I don’t have to hesitate at all. My vision is clear, the others in the band share it and and we are achieving it together.

  • You keep saying you are a Laveyan Satanist. I, myself support what Anton Lavey had to impart because it is logical. But, apart from the obvious, what do you mean when you say you are a Laveyan Satanist. How different your life would’ve been had you not known who Lavey is.

Aditya – Oh, come on, this is like asking Muslims what they would be if they hadn’t been born into Islam. I don’t know… I would’ve been a trendcore poseur, I guess… ahaha! Okay, seriously – I wouldn’t have been this strong mentally, I wouldn’t have been this focused, and I certainly wouldn’t have had this drive. My whole life changed the day I realized I was a Satanist… everything became very clear. There is total clarity in my life, and zero bullshit. It gets better as I grow older, it gets even more powerful with time. Around two years back the change in me was very noticeable: I realized nothing was happening with Exhumation and that I would have start another band to make extreme music… That was a fucking moment. I gave up drinking for almost a year, and the focus and drive came right back and I embraced the anger and hatred that was in me. I accepted it completely. It’s beautiful, y’know… the things anger and hate can drive you to do… it’s fucking amazing.

The right question pumps you up!

aditya mehta animesh das solar deity

  • Your jam sessions are a tribute to the devil, and your live shows are rituals. What’s the deal.

Aditya – Eh! I make a big deal out of everything. Eating muskmelon ice cream is a ritual, and when we eat aam-ras and the works in the summer I behave like there’s a grand ceremony taking place. It adds fun to my life.

  • Am I forgetting the band that put you into the Indian metal history books in the first place. No, I’m not. No news about Exhumation, no shows, and a lot of rumors. Put an end to it.

Aditya – Exhumation is nowhere on my priority list. Solar Deity is my main band and I have a few other projects waiting to happen: Spirit (death metal), Angry Dwarf (avant-garde noise), Heretic Magus (death/doom and funeral doom) and Bludgeoned Sociopath (goregrind). Apart from all this, I have a book of short stories to complete (I haven’t written a story in four years), more books to write, cats to take care of, and a life to live. If anything more needs to happen with Exhumation, it will – but I’m not exactly bathing in anticipation. Also, I’m fucking sick of being asked about Exhumation, so if anybody really wants me to talk about it they can first buy me a quarter of whisky.

OKAY, now that clears the air…

solar deity devil worship artwork

  • Solar Deity facts: 3 Eps, 1 single and an on-going three city tour. How receptive/supportive has the Indian metal scene and the non-existent metal media been to the group. You might want to add what more is in store.

Aditya – Pretty much the whole scene was stunned when we released In The Name Of Satan. Nobody really expected me to do anything after Exhumation started fizzling out, but I’m me, y’know? It’s so much fun when people forget what I am because I love reminding them. Then we released Snowless, and then The Darkness Of Being and now Devil Worship… we still have so much more to do, and we’re looking forward to it.

A few websites gave flimsy reasons for not writing about us, but they either disappeared into oblivion or came around eventually, when they realized we weren’t a random band that had come to pass time. The websites that did help us, however, really helped us – and they are responsible for spreading our music in a big way, and I’m very grateful to them.

  • Are you excited about this landmark all-black metal event Black Metal Krieg 3 that Solar Deity is part of. The audience is aware that Solar Deity would be unleashing their stuff at the gig. Tell them why exactly should they be present during your set.

Aditya – Of course I’m excited about Black Metal Krieg 3! Any extreme-metal fan will fucking come in his pants at the gig… I mean, look at the fucking lineup! I think this show is going to be great for Solar Deity because Mumbai and Thane will get to see our all-new lineup, and we’ll be playing a long set with stuff from all the EPs… and we’re getting to share the stage with these awesome bands. Kunal Choksi and Kunal Gonsalves are pulling off some mad shit here… every metalhead worth his/her favourite black t-shirt is going to be at BMK3… fuck yeah!

Solar Deity is:

Aditya Mehta on Guitars / Vocals
Animesh Das on Bass
Amogh Sharma on Drums
Niraj Singh Chauhan on Lead Guitar

solar deity band live

To stay updated about the band join their page here: https://www.facebook.com/SolarDeityIndia

Website: http://solardeityindia.com/

Aspire to be a groupie? Drop an email to: solardeityindia@gmail.com.

[ Black Metal Krieg 3 (featuring 1833 ADStark DenialSolar DeityCosmic InfusionWinter GateDark DesolationWinter ProphecyDormant Inferno and Spiked Crib) is the only event in India that pays tribute to black metal. The event is going to demolish a venue in Bombay on the 8th of December, 2013. Stay updated here: https://www.facebook.com/events/626388167400031/ . ]

Must read:

Interview with 1833 AD ahead of their headlining gig in Bombay (December 8th, 2013)

Album / Ep / Demo / Teaser Reviews

2010 article about the Indian Black Metal Scene

gig review : Black Metal Krieg (December, 2010)

Gig / Concert / Festival Reviews

Diverse Articles

1833 AD’s Nishant Abraham: “The usage of chord progressions that typically define Black Metal, come to me naturally”

1833 ad band logoAhead of 1833 AD‘s headlining gig in Bombay, Nishant Abraham – frontman of Indian black metal act 1833 AD talks about the challenges faced by the band, their 2012 debut record ‘My Dark Symphony‘, why they love playing in Bombay and tackles a few other questions that need a credible black metal band’s opinion.

Read on…

Imagine a world completely devoid of black metal. There is no reference point and such a genre doesn’t exist. Would 1833 AD still have existed.

NishantTo a certain extent, yes, but I wouldn’t have been so creative to term it Black Metal. I would have gone with something cheesy; Dark Metal, at best. The darkness that Black Metal creates, like any other form of music, is because of the arrangement of notes. And the usage of such chord progressions that typically define Black Metal, come to me naturally. Instrumentally, would we have sounded similar? Definitely. In terms of vocals? No chance in hell. I came from a very mellow vocal background and wouldn’t have considered screaming into a microphone even in my wildest dreams.

Three members in Delhi, and one member in Bangalore. Two different cities. Considering the obvious issues of management and lesser jamming sessions you guys still manage to pull off a tight gig. What does it take to make that happen.

Nishant – It is tough. With the distance, we have to practice regularly on our own to ensure we know our parts like the back of our hand so that it all comes together as one fluid piece when we perform. We feel it’s important to jam together at least once before a show. For this, we usually try and reach the city a day before. Sometimes it’s on the day of the show. Once, all we had time for was on-stage sound check. It was the biggest challenge we ever faced but we pulled through and were extremely proud of ourselves.

1833 ad black metal

A band wants to cover obscure underground songs that they truly believe in. And often it is overheard that the choice should’ve been a mass favorite. Your thoughts.

Nishant – Hmm, interesting question. Maybe it comes down to the band’s ideology. Are they trying to win points with the crowd? Or are they showcasing their music and influence? Personally, I wouldn’t mind either and we have done both in the past. We would do a song that no one knows if we feel the audience could use a good lesson in Old School Black Metal, but we would never play a song that we don’t believe in just to please the audience.

I’m aware of the staggering numbers that went into the production of ‘My Dark Symphony’. Resulting in a product that is top notch. No compromises there. What was going through the band’s mind when it came to the financial aspects of recording the album.

nishant abraham 1833 adNishant – How are you aware of that?

I know everything (laughs). Anyway…

Nishant – We had spent a lot of money just to get the music ready. But the concept we went with was incomplete without the artwork. Did we really have to spend so much on artwork? Maybe. Maybe not. Why settle? We wanted to create something that was never done before. The artwork has a vague storyline going on which is a mystery in itself. Trying to understand what each page means, how it possibly relates to a song, division of the chapters, et cetera are some of the alluring things My Dark Symphony has to offer. Something our fans could buy and feel that they got their money’s worth. And I think we did that with My Dark Symphony. If you are reading this and have no idea what we’re talking about, shame on you!

Alright, there are people who take 1833 AD’s music seriously, and that’s where the true fanbase comes into picture. Any upcoming gigs these people should know about.

Nishant – We love our fans! We get emails from our fans asking us for lyrics, tabs, minus tracks, etc. Everything we do, every penny we’ve ever spent, it all seems worth it with each of these emails.

We are playing two shows at the end of this week. Chandigarh on the 26th and Delhi on the 27th. We are also talking to few organizers in Jaipur and Pune. If something materializes, we’ll announce it on Facebook.

Bombay is going to play host to the third edition of Black Metal Krieg (BMK) event on the 8th of December, 2013. Sign-off the interview by telling us how do you plan to captivate your audience at BMK 3.

Nishant – We love playing Mumbai. The fact that it’s BMK just makes it more special. Getting to share the stage with so many other Indian Black Metal bands is a great privilege and we look forward to it. The Mumbai crowd returns the passion with which we perform. We will be throwing in a few surprises, some of the unforgotten classics perhaps? It’s gonna be wild!

1833 ad band live

1833 AD is:

Nishant Abraham on Vocals/Guitars
Rahul Mehalwal on Guitars
Sushmit Mazumdar on Bass
Raghav Sehgal on Drums



If you want to contact the band directly, shoot an email to: 1833ad@gmail.com.

[ Black Metal Krieg 3 (featuring 1833 AD, Stark Denial, Solar Deity, Cosmic Infusion, Winter Gate, Dark Desolation, Winter Prophecy, Dormant Inferno and Spiked Crib) is the only event in India that pays tribute to black metal. The event is going to demolish a venue in Bombay on the 8th of December, 2013. Stay updated here: https://www.facebook.com/events/626388167400031/ . ]

Also read:

In-depth review of 1833 AD’s debut album ‘My Dark Symphony’

Dormant Inferno’s debut demo ‘In Sanity’ reviewed

2010 article about the Indian Black Metal Scene

gig review : Black Metal Krieg (December, 2010)

Join Absurd History on facebook

Indian Black Metal Scene

Black Metalgenesis

We have been there where we were told that black metal was first done by Black Sabbath. But then we were also told Black Sabbath is the reason behind every other genre that ever happened. I for once do not agree to this, without taking away the credit from Sabbath for their contribution to metal. What is called the first wave of black metal that included Venom, Hellhammer, Bathory, Celtic Frost, and a significant Brazilian band Sarcófago just put forth the ground work but then what followed made it clear that even the aforementioned bands weren’t what was to become of black metal.

a church in Norway

A significant period in the history of a genre that righteously goes by the name black metal includes the early nineties. The place being Norway. Nothing ever remained the same. Now I saw myself getting dragged to the kind of songs being made under this genre mainly because of the complacency it gave me. But the truth remains that after being introduced to it, I went about the internet educating myself with the facts that lie behind the dark genre. After my exposure to the church burnings, and my research that led to my introduction of the real people behind the Norwegian era, the perception just became stronger. Here it was not some non-fictional stuff I had encountered, but something that was done, and went along with black metal. How much of it was done due to real hatred towards the cross or for the horned deity is a mystery but then no one would go take the risk of doing illegal activities at an age that could be too early to screw up things in life.

Black metalThe Indian scene

When I began writing this, there was no research required. Early nineties in India means no metal. To include something here I got reminded of only a few acts like Indus Creed, Parikrama, Dying Embrace, Bramha and maybe a few others that I do not want to even mention as they suck. So when the foundation of a genre was being laid in Norway there was just Parikrama jamming back home. Funny thought but ironically true! I will tell you some other time why exactly Pari-trauma should not be opening for Iron Maiden and now that they have done that twice how I want to sink the band and leave no trace. There was no metal in India for the longest time then talking about a major sub-genre would only add salt to injury.

Fate’s 2001 release

The earliest traces of black metal in India in some way can be related to Fate, Demonic Resurrection, Arcane Ritual – although they could be considered non-existent. But then they were away from the true definition of the genre. Whether it was conscious or not, they did lack the genre-related elements in their music even though they did claim to be black metal bands. Fate released an album in 2001 titled Lead Us To Darkness. With DR changing their style to play what they want to and not what they began playing, Fate and Arcane Ritual vanished without leaving behind just enough for other bands to carry the baton ahead. And then somewhere 1833 AD happened in 2004. And have been the longest running Indian black metal act I respect. I don’t have a choice but that does not take away 1833 AD‘s continuous prominent contribution.

1833 AD logo

There has not been any kind of impact, nor we have had any murders or controversies for the spark of this genre. Nothing significant enough to make heads turn in the direction. Sadly for our nation, even though there are hordes of followers of this genre, there aren’t any acts. There are none that can dominate in a discussion. Dark Crucifix from Kerala released Chapters of Damnation, a three song demo that was noticed. 1833 AD are still active and going strong with an album scheduled this year but then a single band for a vast genre, in a nation that has more humans than there is place is extremely poor.

There is also a band that goes by the name Mogh. I would not be surprised if you have not heard the name, but i would surprise you by stating that they have released four albums till now. And I have seen them cover Mayhem and Nargaroth at some mall in Pune. I was impressed. Now I do not hear of them, though I so want to.

mogh live!

Another notable band that was formed out of Disembodied Corpse was Cosmic Infusion. Cosmic, although not active anymore were as close to the roots as was the need. Covering Mourning Palace and I am the black wizards they managed to capitalize on the lack of good covers. They had prettyimpressive originals and personally i was a fan of their live shows banging my head in the first row. Hope they bounce back and fill the gap. Of the new lot there is Spiked Crib who have been around for quite a few years and are constantly enhancing their presence.

Having mentioned the current state of affairs, India cannot be on the global map for their contribution to black metal unless there are bands that mean business. Maybe there are other black metal acts that haven’t been noticed but then that is where the respective bands are lacking. Hoping for a phase where we have a significant change in the Indian scene concerning this genre that is always considered underground but is a success nevertheless. Mauling down a religious establishment could be a good start, anyone?

Check out this article on the newly launched Flaming Skull E-Zine here : The Flaming Skull E-Zine : May 2010 issue

Also read :

category : Interactions/Interviews

category : Recommendations

category : Album Reviews

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